5/19/2023 0 Comments Hex fiend nam jun paik![]() Along with his remarkable sequence of videotapes and projects for television-featuring collaborations with friends Laurie Anderson, Joseph Beuys, David Bowie, Cage, and Merce Cunningham-he created a series of installations that fundamentally changed video and redefined artistic practice. Throughout the 1970s and 1980s, he also worked as a teacher and an activist, supporting other artists and working to realize the potential of the emerging medium. ![]() In 1964 Paik moved to New York and continued his explorations of television and video, and, by the late 1960s, was at the forefront of a new generation of artists creating an aesthetic discourse out of television and the moving image. With these first steps began an astonishing effusion of ideas and invention that, for almost 40 years, have played a profound role in the introduction and acceptance of the electronic moving image into the realm of art. He also created interactive video works that transformed the viewers' relationship to the medium. Paik altered the sets to distort their reception of broadcast transmissions and scattered them about the room, on their sides and upside down. This milestone exhibition featured Paik's prepared televisions. Paik's initial artistic explorations of the mass media of television were presented in his first solo exhibition in 1963, Exposition of Music-Electronic Television, at the Galerie Parnass in Wuppertal, Germany. Cage's ideas on composition and performance were a great influence on him, as were those of George Maciunas, the founder of the radical art movement Fluxus, which Paik was invited to join. During studies at the Summer Course for New Music in Darmstaat in 1958, Paik met composer John Cage. In 1956 Paik traveled to Europe and settled in Germany to pursue his interest in avant-garde music and performance. Paik studied music composition first in Korea, then at the University of Tokyo, where he wrote his thesis on Modernist composer Arnold Schönberg. The Worlds of Nam June Paik transforms the Guggenheim Museum Bilbao into a celebration of the moving image and an appreciation of Paik's impact on the art of the late-twentieth century. Through a vast array of installations, videotapes, global television productions, films, and performances, Paik has reshaped our perceptions of the temporal image in contemporary art. No artist has had a greater influence in imagining and realizing the artistic potential of video and television than Korean-born Nam June Paik.
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